![]() ![]() For stubborn stains, clean the surface using a soft clean white absorbent cloth with a solution of mild soap and warm water. Use a feather duster, a clean soft white cloth, or vacuum with a clean soft brush attachment as needed. No warranty is implied since results may vary. The instructions for the care and maintenance of Herman Miller products are provided to you as a service. ![]() To maintain the finish quality of your Herman Miller product, please follow the cleaning procedures provided below. With regular care and maintenance, your Herman Miller furniture will provide years of superior performance and satisfaction. Translucent plastic polymer shade with visible steel infrastructure.īrushed, nickel-plated steel ceiling plate. Bulb (not included): LED, CFL or incandescent E26 base 60W max for small, 150W max for others. ![]() This is the authentic Bubble Lamp, produced in partnership with the George Nelson Foundation. “When you put a light in it, it glowed,” he said. “And then, Whammo!” Inspiration struck, and by the next night, Nelson had designed his first Bubble Lamp (1952) by spinning a skeleton of steel wires on a turntable and shooting it with translucent plastic until it was covered in a smooth, washable film. He then recalled seeing a photo in the paper of Liberty ships being mothballed “by having the decks covered with netting and then being sprayed with a self-webbing plastic,” which got him thinking. From 1947 until the closure of the studio in the mid-1980s, George worked with nearly every Fortune 500 company in existence, influencing American culture and design through his pragmatic use of furniture and space.While outfitting his office, architect and Herman Miller design director George Nelson discovered a silk-covered Swedish hanging lamp that he coveted but found too expensive. Using his successes at Herman Miller, George Nelson opened his own design studio and label in 1947. Depree saw the raw talent and vision of George Nelson as an incredible untapped opportunity within the world of furniture design.įrom 1947 to 1972, George Nelson and Herman Miller would go on to create some of the lasting furniture designs of the 20th century, utilizing Nelson's varied perspective, and Herman Miller's wide reach and production capabilities to attract some of the most talented designers of the time period. Depree, who sought to hire George as Herman Miller's next Director of Design. This unique and ultimately revolutionary perspective caught the eye of Herman Miller executive, D.J. This concept of creating solutions through interior and product design led Nelson to publish a book, "Tomorrow's House" in which he deconstructed design cliches and mainstays by stripping them down to their conceptual uses. Influenced by the vast range of conceptual thought within Europe, Nelson took his myriad ideas back to the United States where he worked for Architectural Forum as an editor, showcasing his unique understanding of American modernism and seeking designs and products that created solutions rather than fitting into the mold of aging design concepts. It was during this time that Nelson used his journalistic approach to learning by documenting and interviewing some of the most iconic designers of the time period. ![]() After earning the prestigious "Rome Prize" from the American Academy of Rome, Nelson took to the vibrant landscape of Europe's design world. Captivated by the work he saw during his respite from the rain, a young George Nelson changed the course of design history by choosing to study Architecture and Fine Arts at Yale, graduating with degrees in both in 1931. A rain storm on the Yale campus in 1926 forced a young student to take refuge within the confines of the architectural school. ![]()
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